|
|  |
|
|
|
|
The HDS-16 Headphone/Audio Distribution System and HRM-16 Headphone/Audio Remote Mixer are designed to function equally well for both live (in-ear or stage monitors) and studio applications, allowing greater flexibility and ease for both the user and the engineer.
The HDS-16/HRM-16 Headphone/Audio Distribution System cleanly routes 8 mono and 4 stereo signals to remote mixing locations via Centronics 50 pin cables. Up to eight HRM-16's can be connected directly or daisy chained to a single HDS-16, allowing as many as sixteen users (two per each HRM-16) to customize eight different mixes. A unique talkback system allows each user to communicate with other users and the main mixing location. Additionally, a SOLO system allows the engineer to mute all but one stereo send from the mix location - very handy for reviewing recent takes or rough mixes. Additional HRM-16 features include local effects send/return, line out, overall bass/treble controls, talkback level, and a master level control.
The HRM-16 Remote Mixer may either attach to a mic stand with the included mic stand clip and hardware, or be placed on a table or shelf. The unit requires no external power, and allows full volume/low distortion headphone mixes to be created on the fly.
The eight mono and four stereo signals each have level controls. Each mono channel also has a pan control and an effects send control which feeds its own rear panel 1/4" send/return jacks; the affected signal is returned into the mix and controlled via a stereo effects return knob. Also on the rear panel of the HRM-16 is a mono line out 1/4" jack to drive stage or in-ear monitors, a jack for a talk-back footswitch, and two 50 pin Centronics connectors to allow daisy chaining of up to four HRM-16's.
Connecting HDS-16 and HRM-16s is easy, as each mixer is supplied with a 25-foot super-flexible interconnect cable which can easily be extended or routed through walls and daisy chained to other HRM-16s.
Cable Specs
- 25 twisted pair
- 24AWG with overall shield
- Centronics 50 pin plug (male) each end
- The length of cable used only affects the maximum continuous power out
Losses for Additional Cable (beyond 25ft.)
- 32 Ohm phones: -0.34 dB (693 mW vs. 750 mW maximum output) per 100 feet of cable
- 100 Ohm phones: -0.16 dB (746 mW vs. 770 mW maximum output) per 100 feet of cable
- 600 Ohm phones: -0.056 dB (257 mW vs.260 mW maximum output) per 100 feet of cable
Power Output
- 750 mW at 32 ohms
- 770 mW at 100 ohms
- 260 mW at 600 ohms
Line Outputs
- Balanced or single ended
- Impedance 50 ohms
- 68 dB OCMR
Sensitivity
Inputs
- 1/4" phone
- Balanced or unbalanced
Outputs
Distortion
- Less than .002% THD
- 20 Hz to 20 kHz
- Full rated power
Dynamic Range
Frequency Response
- +0, -1 dB from 13 Hz to 32 kHz
Crosstalk
- Less than -95 dB at 10kHz
Dimensions
Weight
The HRM-16 Remote Mixer may either attach to a mic stand with the included mic stand clip and hardware, or be placed on a table or shelf. The unit requires no external power, and allows full volume/low distortion headphone mixes to be created on the fly.
The eight mono and four stereo signals each have level controls. Each mono channel also has a pan control and an effects send control which feeds its own rear panel 1/4" send/return jacks; the affected signal is returned into the mix and controlled via a stereo effects return knob. Also on the rear panel of the HRM-16 is a mono line out 1/4" jack to drive stage or in-ear monitors, a jack for a talk-back footswitch, and two 50 pin Centronics connectors to allow daisy chaining of up to four HRM-16's.
Connecting HDS-16 and HRM-16s is easy, as each mixer is supplied with a 25-foot super-flexible interconnect cable which can easily be extended or routed through walls and daisy chained to other HRM-16s.
|
|
|
