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Peluso 22 251:

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AudioLot Studios - Peluso Microphones Demonstration:

This is demonstration features 3 Peluso microphones (22 47SE, 22 251 and CEMC6)

click here to download the WAV of this demonstration

This was recorded at AudioLot Studios using only what is described here. The entire process took approximately 30 minutes from start to finish (including setup time) and was designed to show you how amazing Peluso microphones can be, even when you don't spend a lot of time worrying about mic placement.

We started by using the Peluso 22 47SE on the body of a Taylor 914CE acoustic guitar and the Peluso CEMC6 on the top of the neck. The Peluso 22 47SE was sent through a DBX 786 mic-pre and the CEMC6 was sent through an Amek/Neve PurePath Channel In A Box.

The vocal was recorded using the Peluso 22 251 through the DBX 786 mic-pre. The converter used was a Prism ADA-8 Dream and the signal was sent through that converter and into Digital Performer 4.5 at 24bit 96khz via the Lynx AES16 PCI interface card.

All faders were left at 0db and the vocal was sent out to channel 1 to a Dangerous 2-Bus with the 2-Bus channel set to Mono. The two guitar tracks were sent to the Dangerous 2-Bus on channels 3/4 (there was no panning in the computer).

The three tracks were summed by the 2-Bus and sent through a DBX 160SL only to raise the output to a louder level (i.e. no compression was in use).

The output of the DBX was sent to an Apogee PSX-100SE set to 16bit 44.1khz and then AES/EBU into a Tascam CDRW2000 which was slaved to the Apogee clock via AES. The CD was burned in real-time and then taken to a Macintosh where iTunes 4.7 was used to get the track off in WAV format where it was in turn posted here for everyone to listen.